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TIME: Almanac of the 20th Century
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TIME, Almanac of the 20th Century.ISO
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1990
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90
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apr_jun
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0528540.000
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1994-02-27
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<text>
<title>
(May 28, 1990) Died:Jim Henson
</title>
<history>
TIME--The Weekly Newsmagazine--1990
May 28, 1990 Emergency!
</history>
<article>
<source>Time Magazine</source>
<hdr>
MILESTONES, Page 71
More Than Entertainers
Jim Henson: 1936-1990
</hdr>
<body>
<p> Entertainers have a unique hold on the public imagination.
They nourish dreams; they enter, electronically, millions of
homes. Some of them do more than beguile or amuse. Sammy Davis
Jr. and Jim Henson, who died last week, had little in common.
One was a brash, flashy extrovert who never spent a day in
school; the other a shy, behind-the-scenes type who showed that
his offbeat puppets could educate children. But their passing
is a reminder that both, besides dispersing fun and pleasure,
significantly altered the world they inherited.
</p>
<p> They are only stockings plumped up with felt, foam and
Ping-Pong balls. But in the psyche of two generations of
American kids, they are enduring companions, surrogates and
mentors. Since a bumbling 8 ft. 2 in.-tall canary popped up on
the sidewalks of Sesame Street 21 years ago, the Muppets (the
name is an amalgam of marionette and puppet) have taught
letters, numbers, feelings and fantasy to millions of toddlers.
When puppeteer and Muppet creator Jim Henson died last week of
pneumonia at 53, the nation lost a quiet comic genius, one of
childhood's best friends.
</p>
<p> Like Walt Disney, Henson mined a vein of the American
character with his warm and witty bestiary. The Cookie Monster,
Oscar the Grouch, and that enduring odd couple, Bert and Ernie,
transformed children's TV from a boobish baby-sitter to a
creative classroom. And now that the first Muppets watchers are
grown up, the creatures live on as adult archetypes: everybody
knows a Big Bird or a Grover. Henson's own alter ego was Kermit
the Frog, a wistful version of the Little Tramp, who knew that
it wasn't easy being green.
</p>
<p> Raised in suburban Washington, James Maury Henson got a
laugh the first time he appeared with a puppet on his arm. The
lanky University of Maryland art major starred on a five-minute
local TV show and did a passel of commercials. He shrewdly
adapted his technique to the small screen: his puppeteers
watched monitors in order to play effectively to the cameras.
Henson drove to graduation in a Rolls-Royce.
</p>
<p> Gentle but intense, a workaholic who rarely raised his voice
(unless Kermit was angry), Henson once said, "I like to create
different worlds with puppets." He made a galaxy. Besides the
Sesame Street characters, he created The Muppet Show (1976-81),
the prime-time offering that became the most widely seen TV
program in the world. Some 235 million viewers in 100 countries
tuned in to see Fozzie Bear and the egotistical antics of Miss
Piggy. Three Muppet feature films were smashes, but the fantasy
films The Dark Crystal, made with fellow puppeteer Frank Oz,
and Labyrinth fared badly.
</p>
<p> Henson's sudden death has thrown a cloud over his empire.
He made a new rainbow connection last year when he agreed to
sell rights to the Muppets to the Walt Disney Co. for $100
million. Without his imagination and involvement, that deal
will probably be restructured. And Sesame Street's producers
have decided that fun-loving Ernie, whose voice and verve were
Henson's own, will be retired from the show. Both the Muppet
and the Muppeteer will be sorely missed by the child in each
of us.
</p>
<p>By J.D. Reed.
</p>
</body>
</article>
</text>